Honor Award

GROUND UP Issue 02: Grit

Cacena Campbell, Student ASLA; Junice Uy, Student ASLA; Robin Kim, Student ASLA; Rebecca Sunter, Student ASLA; Monica Way, Student ASLA; Miriam Eason, Student ASLA; Kevin Lenhart, Student ASLA; Erica Nagy, Student ASLA; Tricia Tsuzuki, Student ASLA; Steven Lee, Student ASLA; Anne Hansel, Student ASLA; Erik Jensen, Student ASLA; Lauren Hall Knight, Student ASLA; Daniel Prostak, Student ASLA; and Justin Richardson, Student ASLA

Faculty Advisor: Karl Kullmann

  • Issue 02: Grit
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    Project rendering showing how wastewater is passed through a site of demolition debris, cleaning the water and preparing it to become a much needed source of plant irrigation


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    Regional map of the Middle East showing the location of Israel, the Occupied Palestinian Territories and their surrounding countries. Breakdown of the jurisdictional divisions resulting from the negotiations of the 1995 Oslo Interim Accords.


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    Construction VS. Destruction: Waste as Resource


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    Sewage Meets Debris: Waste Remediates Waste. Tactical Process: Demolition Reorganization


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    An Israeli demolished house and its adjacent affected agricultural terraces are tactically reorganized to produce a new site of ad hoc wastewater bioremediation infrastructure.


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    Back and forth manipulations and blurring of the boundary line differentiating Israeli and Palestinian areas of control as a result of Palestinian construction and Israeli demolition of properties along the boundary’s periphery. Palestinian construction which extends beyond the Area C boundary and is not demolished de-facto ‘stretches’ that line outward, redefining it. Whereas, properties which are demolished contract the boundary backward to its original position.


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    Project rendering showing how new ecologies emerge around the site of a house demolition being used for sewage management. Plants and debris serve as remediating agents, filtering the wastewater and turning it into a source for animal fodder agricultural irrigation.


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  • Issue 02: Grit
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    Project rendering showing how new ecologies emerge around the site of a house demolition being used for sewage management. Plants and debris serve as remediating agents, filtering the wastewater and turning it into a source for animal fodder agricultural irrigation.
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    Image: Student Team

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    Citizen data, parametric multiplicities and geodesign make tangible the intangible.


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    Invisible armatures of the Bay Area


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    If we wanted to store enough water for three months without rain, the stored water would cover all of Berkeley at a depth of 1.5 feet.


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Project Statement

GROUND UP: Is the student journal of the Department of Landscape Architecture and Environmental Planning, College of Environmental Design, UC Berkeley is an annual print and web publication intended to stimulate thought, discussion, visual exploration and substantive speculation about emerging landscape issues affecting contemporary praxis. IS an examination of a critical theme arising from the tension between contemporary landscape architecture, ecology and pressing cultural issues. IS intended as a discursive platform to explore concepts grounded in local issues with global relevance.

Project Narrative

Grit is from the ground, abrasive and coarse. Grit erodes and accrues. Like sandpaper, grit refines. Like the grain of sand that creates a pearl, grit is an agitator and a catalyst.

The inaugural issue of GROUND UP peered into Landscapes of Uncertainty, examining who and what defines the next move in landscape architecture. This second edition asks how our field fulfills its potential by exploring grit as a quality, texture and approach for negotiating change in our landscapes. Shifts in climate and society call for responses and interventions grounded in courage and creative resolve.

How we each take up this call is as diverse as the fingerprints on these pages. For our team, grit was born of the dialectic between the desire to create critically acclaimed landscape architecture and the necessity to cultivate intact ecosystems and spatial justice. Your submissions expanded grit's meaning, introducing implications, actions and inventions well beyond our original query. As Walter Hood tells it, grit is the stuff of dreams. Through Brett Milligan's microscope and macroscope, grit is the sediment casualty, the matter moved. For Iran's Baha'i religious minority, grit is defiance of human rights violations.

From your expanded definitions of grit, the narrative arc of the journal emerged as a journey of design- operable at multiple scales- moving from the process of a single project, to the lifetime of a designer, to the ontological evolution of the design discipline. Abutting the limits of print, the journal expresses the iterative, cyclical, blended nature of process in a static framework. The dialogue evolves over four units:

DREAM BIG
From speculative imagination to continental scale, expanded vision pushes convention.

SPECIFICITY
Citizen data, parametric multiplicities and geodesign make tangible the intangible.

AMPLIFICATION
Inherited artifacts, mores and intellectual property widen our present futures.

RESOLVE
Convictions, like water, stay the course and find the cracks to shift dominant inertias.

What do you make of your grit?

GROUND UP is guided by the interests of our readers and collaborators. We operate on an open call with invited entries from academics, practitioners, students, designers, scientists, and activists.

 

Additional Project Credits

Supporters:

The Beatrix Farrand Fund for Public Education in Landscape Architecture
Department of Landscape Architecture & Environmental Planning, UC Berkeley
College of Environmental Design, UC Berkeley

Advisory Committee:

Margaret Crawford
Walter Hood
John King, Hon. ASLA

Special thanks to:

David de la Pena
Sara Jensen-Carr
Molly Mehaffy, Assoc. ASLA
Sarah Moos

Article Authors:

Walter Hood
Manole Razvan Voroneanu
Richard Crockett
Erik Prince with Kimberly Garza
Nicholas DeMonchaux
Xiaowei Wang
Kristina Hill
Brett Milligan
Isabelle Angieri
Richard L. Hindle
Santiago Cirugeda
Molly Mehaffy
Jill Desimini
Catherine W. Fennell
Sarah Cowles and Erin Lynn Forrest
Daniel Winterbottom, FASLA
Niknaz Aftahi
Randy Hester, FASLA and Marcia McNally
Suzanne Harris-Brandts
Brent Bucknum

Printer:

Bacchus Press